
The Dalai Lama stated on Wednesday:


"The Masonic Spectacle of Dom Pedro I" & "Jacques de Molay: The End of the Order of the Temple."
The Brazilian Actor and Freemason, John Vaz, has over the last several years been producing and performing in two stage productions with strong Masonic Themes. He has taken these shows to venues across all of Brazil, with performances in 41 cities. Not only due to his well documented and rewarded personal talent, but also due to the subject matter and professional quality of these plays, it is high time he should be noted by a Masonic audience beyond his native Brazil.
Espetáculo Maçônico D. Pedro I. What went on inside the Masonic Gran Orient Lusitano of Lisbon in 1834? This production, Espetáculo Maçônico D. Pedro I. is a detailed account of the whole trajectory of the life of Pedro IV of Portugal (Emperor Pedro I to Brazilians) from his arrival in Brazil and that of his family in 1808, through the regency of his father, returning to Portugal for his family, the regency of Pedro I, behind the scenes of "Day I" and "independence of Brazil," the abdication of the throne and Brazilian Portuguese, the deposition of his daughter Mary, as Queen of Portugal, and the war he fought against his brother Miguel for the Portuguese throne. Figures such as José Gonçalves Ledo and Boniface are highlighted in the piece.

The production is a detailed history lesson of unprecedented cultural and educational useful and should even be of interest to North Americans.The text for the performance was drafted by the survey of historical sources and the minutes from the Lodges of the Masonic ARTS AND COMMERCE RJ (GOERJ) and also utilized the reports of The Masonic Museum of the Gran Oriente LUSITANO in Portugal.Following on the heels of the success of the production on Pedro I, Vaz created a second play showcasing Masonic history.

Jacques De Molay: O Fim Da Ordem Do Templo (Jacques De Molay: The End of the Order of the Temple) is a dramatic presentation on the history of the Templars, told in the voice of the last Grand Master of the Order. It looks back to the origins of the Order, of the Temple building of Solomon, through the Crusades, the approach of another Order - the Masons, culminating in the standoff with the French King Philip who coveted the power and treasure of the Templar order.

The Brazilian Actor, widely acclaimed as the Thousand Faces of the Brazilian Theatre, John Vaz, is an expert at interpreting historical figures for the theatre and both the large and small screen. Vaz was Coordinator of the Theatre of the Republic Museum, Rio de Janeiro. (1999-2007). He has been the subject of books and articles published by O Globo. Vaz has played a gallery of characters including the French poet and actor Antonin Artaud, the Marxist philosopher Louis Althusser, the rubber tapper Chico Mendes, the bossa nova President Kubitschek for which Vaz was awarded the Medal JK in 2002, ousted President Joao Goulart, the revolutionary Che Guevara and now the emperor Dom Pedro I. On television, he acted in the miniseries "Amazon" where he performed the Bolivian Colonel Rosendo Rojas. He also performed the role of JANGO in "miniseries JK" in 2006, participated in the soap opera "Belo" in 2008, the novel "Pura Beleza".
2012 shows include but are not limited to the following venues:

March: Ponta Grossa, PR Curitiba and Spa Camburiú SC
June: Tangara da Serra MT
September: Alegrete RS
Contact information: Schedule: 021 2225-6175 and 8726-9359 / j.vaz @ hotmail.com
The editorial introduction to an ambitious project begun last year by the group of masonic writers and scholars calling themselves "The Study Circle of the French Rite of Roëttiers of Monteleau" indicates that they are aware of the deficiencies and gaps in the knowledge available today concerning the ritual known as the French or Modern Rite, which, they state is nothing more nor less than the foundational Rite of Freemasonry derived from so-called "Moderns". They indicate that given the great importance of this rite,


Formed by brothers who took time to select a name, define the invocation for the opening of the work, the conditions for the provision of oath or promise to give impact to the ritual; this is what makes the lodge demonstrate the will of its founders.
This was the case even in half of the lodges which sought a patent after demonstrating their ability to manage and promote a initiation. Obedience, which has no call initiation, could not lead to a lodge. Only the will and the union of brothers and their appeal to the Grand Architect grounded on the fraternity and report on their work, could make a just and perfect lodge.
The General Grand Chapter of France was formed by seven sovereign chapters in 1784, and these acted to create the Degree of Wisdom of the French Rite, outside the limits of any one obedience. This they did while taking into account the guidelines of GOF but it was founded on an need that emerged naturally in the whole territory and in the heart of the chapters and brothers who composed it.
The rules of the obedience gradually led to the loss of the deeper meaning of the rites. Successive amendments have hidden symbols and secrets have been misunderstood, and this of course has limited the space for expression of feelings. Where nothing can be explained, the square is open to brute authority, personal ambition and single-mindedness, and of course the power struggles that are distinguished more by reference to what is not allowed than that to which has no circumscribed limits. A return to tradition cannot occur without the participation of all those who have discerned a need.
Having accepted that we have lost everything except the faith in Freemasonry, everything must be rebuilt with different materials, especially by those who chose the strategy over stagnation reflection rather than diatribe, combining their personal views with a confidence in providence, who seek perfect harmony and have hope.
The appearance in the contemporary French Masonic landscape Masonic of a moral authority was a totally unexpected event but one that fed the power of hope that is emerging in Europe. The only country in the world which has uninterruptedly practiced all the Degrees of Wisdom of the Modern French Rite, Brazil, invited all who wished to meet the criteria regardless of sex and obedience, to end the artificial barriers and to revive the tradition of the Modern Rite in its openness and its initiatory vocation full of freedom, humility and spirituality.

That is the appeal of the Charter of Barcelona, which was launched the day of Pentecost by the Modern Rite Supreme Council for Brazil and through the creation of the Union of Modern Rite Masonic Universal.
Representing France were brothers and sisters belonging to the symbolic lodges of the GLNF, GLTSO, GOTM, GLMF, Masonic Universal Alliance and the Alliance of Free and Sovereign Lodges of the French Rite and the Lodges of Free and Sovereign San Juan. Representation of these chapters has issued the Modern Rite Sublime Council for France , co-founder of the Universal Masonic Union of the Modern Rite, now recognized as legitimate authority to bind the Sovereign Chapters of the French or Modern Rite.
This federal Sublime Council includes a female Grand Chapter, a Joint Chapter Large Chapters and two Great Men who have chosen different rules on the functioning of the Chapters that are members, but all Sovereign Chapters are open to inter-visit and the spirit of the Charter of Barcelona.
(Gracias a Victor Guerra)
A new journal of interest to all fascinated by the roots of Hermeticism and Masonic Esotericism.The inaugural issue of Studia Occulta Islamica will be devoted to the premier Occult Sage of Islamicate Civilization, Abū-l-‘Abbas Aḥmad ibn ‘Ali ibn Yūsuf al-Qurashī al-Būnī (d. 622 H / 1225 CE at Cairo) and his formidable oeuvre, which has been aptly termed the ‘Corpus Būnīanum’ by Jan Just Witkam. Without doubt the most distinguished work of the Corpus Būnīanum is the celebrated Shams al-Ma‘ārif al-Kubrā (The Great Sun of Knowledge) which will be the principal work of focus in the first issue of Studia Occulta Islamica.
The electronic publication of the Buni number is projected to occur on 1 September 2012 14:33 GMT (16:23 Cairo). Print copies may be made available on demand after this time as well.
Future issues of the journal will investigate the Divine Names, ‘Ilm al-Jafr, Astrology, Alchemy, ‘Magic Squares’, et cetera…
Papers from researchers in Islamic studies as well as those with interdisciplinary interests are most welcome. Please see the links below for further information. All submissions are subject to blind peer-review.

ESTABLISHMENT OF THE INTERNATIONAL ACADEMY OF ORDER OF WISDOM V ° (UMURM)
Soy Tata Nganga: A documentary about Central African Religious Traditions in Cuba and the life of Enrique Hernández Armenteros.